Anca Maria Florea

Born in Brasov on December 12th, 1975, Anca Florea graduated from the Targu Mures Theatric and Cinematographic Art University.

After having played in well-known plays staged at the State Theatre in Sibiu ("Othello", "Three Sisters", "The Man Who Saw Death", "The Forest", a.o.), and in numerous commercials, Anca got the lead part in Gheorghe Preda's movie "Ingerul necesar".

"Dupa ea", directed by Cristina Ionescu, is the second movie in which Anca has the lead.

Anca Maria Florea

"The part in "Ingerul necesar" was very important to me: it was my movie debut.

I couldn't say Ana is very much like me. We are alike maybe since she is an artist, as I like to think of myself. But she has serious health problems, which naturally reflect in her emotional life. The appearance of the unknown man into her life confuses her no end, as she prefers to live by her rules. Isolated, detached, distant. In a house more like a huge, aseptical, light-filled, white fort."

Constantin Florescu

Born on September 11th, 1962, he is a graduate of the Bucharest Drama and Film Academy, the Acting department, professors: Olga Tudorache and Adrian Pintea. His filmography includes titles like "Modigliani", "Amelia", "The Wind in the Willows", "Space Race", "The Armistice", a.o.

"When I received the script, I read it three times, straightaway. That's how much I liked it. It was a challenge I was waiting for and, later on, I congratulated myself that I didn't hesitate one bit to accept it."

Constantin Florescu

"I knew Gheorghe Preda from school, I knew he was nonconformist, intellectual and totally rebelious. And that's how he was while shooting this movie. I accompanied him in this adventure to the end, but I do not have the feeling it ended. I wouldn't be surprised if he called to tell me that something else came to his mind and tomorrow we are to re-shoot one scene or shoot a new, extra one. This movie is himself and, just like him, wholly unpredictable and ebullient. Even after he turns his toes to the daisies, he'll dig a tunnel to Australia, to make a movie with the aborigines about the philosophical connotations in Boris Vian's works.

I feel I lived a necessary cinematographic experience."